trailers
The Half Dozen: Film 4 Fright Fest Special
Warning: normally this is a PG blog but the trailers contained herein are not suitable for younger viewers. Normal service will be resumed shortly.
It’s been a big month for trailers, at least round here; not only have I published my pick of the month and my Tony Scott tribute list, but here we are with a third selection. And this time it’s personal.
Yes, as mentioned in that earlier monthly round-up, I’m having a day at Film 4 Fright Fest 2012, to substitute for the fact that there’s no Movie-Con or Big Screen this summer. The logistics of this should be fun: the first film starts at 10 a.m. tomorrow morning (meaning I’ll be heading to bed very soon), so I’ll be driving 60 miles to my nearest Tube station and parking up. However, the last film doesn’t start until 11:30 p.m., so I’m expecting to be on the night bus around 1 a.m. on Sunday (or later), back at the car around 2:30 – 3:00 a.m. and getting in around 4 a.m. The sacrifices I make for my craft sometimes…
It should help to address a rather unfortunate imbalance in my viewing this year as well, as The Woman In Black and Prometheus are the closest I’ve come to a horror film this year, and neither are what I’d be looking for in a decent horror. I’m equally at home with psychological horror, deep scares or an all out gore fest, but it’s harder to find quality product in the multiplexes these days. For the last two years I’ve managed to catch a few at the Cambridge Film Festival, but mainstream horror by and large leaves me cold these days, so I can’t wait to see what tomorrow’s got in store.
Right, I’m off to get some well needed sleep, but here’s (some of) the trailers for what I expect to be watching tomorrow, just to get a flavour of what I hope to be experiencing.
The Half Dozen: A Tony Scott Tribute
I awoke this morning to tragic news; Tony Scott, one of the finest film makers of a generation, has taken his own life at the age of 68 by jumping from the Vincent Thomas Bridge near Long Beach, California. I’m sure that the media of the world will pore over the possible reasons for this devastating act in weeks to come, but nothing will ever replace him for friends, family and millions of movie lovers around the world.
When I started this blog, I tried to settle on a name which captured my intentions, to encourage others to watch films and to watch them in a cinema. When settling on the name “The Movie Evangelist”, not only did the name roll off the tongue better than “The Film Evangelist”, but it also captured that sense of what drove my love in the first place. While I’m as happy with the art house as I am with the blockbuster these days, it was my love of genuine movies, the thrill ride best enjoyed in a dark room on a big screen with a large audience, that has fuelled my passion and sees me where I am today, desperately sad that we’re deprived of any more works from one of action cinema’s greatest talents.
But while he spoke the language of action movies fluently, he also worked with some of the best casts of the last thirty years: the likes of Denzel Washington, Gene Hackman and Christopher Walkman cropped up regularly in his films, and it was the combination of great acting, excellent scripts and his unique direction, which was undervalued in his lifetime but already seems to have touched so many as news of his death circulates. In addition, his production company Scott Free, set up with brother Ridley, had also started to produce some real gems in the past few years, and his impact on everything from music videos to big budget films will last for a long time to come.
While I don’t know that I can find fitting words to pay tribute, what I can do is share trailers for some of my favourite Tony Scott movies. I hope watching some of these will inspire you to get out the DVD or the Blu-ray and put them on sometime this week. Normally I would limit myself to a strict half dozen, but to try to sum up such a career in six films seems barely sufficient, but I’m sure you’ll not mind on this occasion. Tony Scott, rest in peace.
The Half Dozen: 6 Most Interesting Looking Trailers For August 2012
August. Really? I think my calendar may be broken. Where has the year gone? It’s been a challenging year keeping The Movie Evangelist going, mainly as my full time paid job has gotten in the way of pretty much everything else I do. I’ve managed to keep watching films at not far behind last year’s rate (at the end of July last year, I’d seen 87 new films in the cinema and I was up to 79 at the end of July this year), but, along with most of my other nice-to-have interests, the blog has taken a beating, as I got a grand total of two posts up last month, and one of them was the trailers.
Still, if I’m managing to watch films the least I can do is encourage you into trying to do the same, even if it’s proving a struggle to put fingers to keyboard at the moment. But I have a couple of highlights to look forward to: in the absence of an Empire magazine event this year such as Movie-Con or Big Screen, I’ve bought a day pass for FrightFest 2012, so I’m looking forward to a very varied day there at the end of this month, and by the time the month is up I’ll be buying my tickets for the Cambridge Film Festival, running between 13th and 23rd September. Given that I managed 19 films two years ago and 27 last year, the only question is how many, and the answer is probably quite a lot.
But before that, there’s plenty to look forward to, including a new entry in the Bourne series and Richard Ayoade’s attempt to follow Chris O’Dowd into American cinema. Oh, and this lot.
Sound Of My Voice
Despite showing at only a handful of cinemas and getting buried under the Olympics, Brit Marling’s second feature in as many years is a big step up from the overly simplistic Another Earth which landed late last year. On the surface, the ideas are similarly basic, but here the concepts are better handled and there’s more of a sense of ambiguity and tension. I was also sucked in by the video showing the first twelve minutes online, a concept which more films could take advantage of.
Ai Weiwei: Never Sorry
A fantastic look at a fascinating character, I’m sure, but who knew cats could do that? Seriously, I’ll be trying to train our Pumpkin to do that for months. I may also have to install some suitable door handles, but I’m sure it’ll be worth it.
The Forgiveness Of Blood
For some reason I keep mixing this up with the Christian Bale film out around the same time. Which I think is called The Flowers Of War. Definitely The Something Of Doo-Dah, anyway. I’m easily confused, I think it’s my age.
Brave
A Pixar I’m really not sure about, starting what could be a run of Pixar films I’m not sure about. No matter how good your run of quality is, it can’t go on forever. Apparently nothing outside the first act appears in this trailer, a fact which I look forward to testing, but if true is really how all trailers should be constructed.
The Imposter
It’s been a year for cracking documentaries: in the last month alone I’ve seen some outstanding work in the field, including Marina Abramovic: The Artist Is Present and Searching For Sugarman. Early word on this one suggests that trend could be continuing.
Berberian Sound Studio
And finally, in honour of FrightFest, a film that pops up there, although sadly not the day I’m there. Thankfully the rest of us don’t have too long to wait. Don’t have nightmares, now.
The Half Dozen: 6 Most Interesting Looking Trailers for July 2012
Life’s a bitch, ain’t it? As of yet I’ve not won the lottery, so I’m resigned to a life of actually working to pay the bills, rather than getting to sit in a cinema all day, write reviews and generally evangelise about how great cinema is. Consequently, with work demanding rather more from me than usual at the moment, I’m left with two choices: write the blog, or go and see films. As I’d not have much to write about if I didn’t go and see films, I’ve followed the logical option, but I’m now desperately trying to find time to squeeze in blogging.
So this month’s trailer picks will be a masterclass in efficiency, as I attempt to describe each trailer in ten words or less. To be honest, my mind’s only on one thing anyway: next Saturday I’m making my annual pilgrimage to the BFI IMAX in London. Two years ago, I double billed Inception and Toy Story 3 and last year it was Mission: Impossible: Ghost: Protocol: Colon, and this year it will be a follow up to the first film I ever saw in IMAX: The Dark Knight. Next Saturday, Batman will rise and, Nolan obsessive that I am, I’ll be sat in row F, having a giant Nolangasm as discreetly as possible. I’ve rated the last four Christopher Nolan films 10/10, so TDKR has a lot to live up to, but based on early word of mouth, I have every right to be excited. Squee.
Anyway, here’s six upcoming films, five of which could be improved with the addition of Batman. Probably.
Marina Abramović The Artist is Present
Apologies for the nudity, apparently it’s art.
Seeking A Friend For The End Of The World
Her off Community might be the female Steve Buscemi. (Funny looking?)
Detachment
Still never seen American History X. Sorry, Tony Kaye.
Nostalgia For The Light
Is it Batman time yet?
The Dark Knight Rises
As I said earlier, squee.
Searching For Sugar Man
I might see this. I might see Batman again. Batman.
The Half Dozen: 6 Most Interesting Looking Trailers For June 2012
There’s something about June. No, not a sequel to There’s Something About Mary, which will probably appear in two to three years when Ben Stiller and Cameron Diaz have finally squandered all public goodwill on unwatchable rom-coms, but there’s actually something about the month of June. It’s when the weather normally transitions from utterly miserable to just about bearable in this country, and it feels just that fraction more wasteful to be spending the few sunny days that we have inside a dark room full of seats and a big screen, even if it is air conditioned. (Watch now, as I have probably jinxed the whole thing and condemned the country to thirty days of storms.)
So it does feel that films released in June somehow have to make just a little more effort. It’s normally the lull in Blockbuster Season, which kicks off in May and is now biding its time until the onslaught of spider-men, ice ages and men with pointy helmets clogging up multiplexes everywhere in July. Now, June might also be the month this year that Prometheus has been unleashed upon the world, but if there’s anyone not utterly worn out by the endless procession of marketing which has both raised and unfairly directed expectations for the film itself, then you’re a hardier character than I am.
But my selections for June still have plenty of variety – there might not be space aliens or men dressed as bats, there are black and white horses, a freakish looking hedgehog, a stovepipe hat and R-Patz himself. If that’s not value for money, I don’t know what is.
The Turin Horse
Managing to best even Ridley Scott’s impressive visuals, the most striking trailer of the month features is supposedly the last feature from Hungarian director Bela Tarr, and if you’ve ever seen any of his previous work in a cinema, award yourself ten bonus points. In the year when a black and white film walked off with the Best Picture Oscar, there’s never been a better time to get your black and white horse film into distribution. Anyone with black and white meerkat films in the pipeline, you’d better get a wriggle on, these fads never last long.
A Fantastic Fear Of Everything
My attraction to this film has become somewhat perverse, as the word of mouth from those I know on Twitter that have seen it is astonishingly bad in the main. I don’t know what compels us as humans to look at the accident on the other side of the carriageway as we’re driving past, but that same instinct is driving me to understand what the bloke from Kula Shaker and the guy with red on him have managed to cook up. Ideally, the more awful, the better.
Abraham Lincoln: Vampire Hunter
I’ve seen this trailer twice now in cinemas, and both times it elicited an identical response. People seem generally interested in the setting, there’s the usual buzz and background murmuring, the odd bit of excitement as the trailer ramps up towards the end… and then the title card reveals itself, and when the words “Abraham Lincoln” and “Vampire Hunter” appear on screen, there’s a lot burst of incredulous disbelief, as several hundred people who hadn’t heard about this (and who still laugh at the Orange mobile ad every single time) go “WTF?” as one voice. Oddly satisfying.
Cosmopolis
I discussed my formative experiences with David Cronenberg a few months back, and ever since the first time I saw The Fly Cronenberg has been on my list of directors who simply need to make a film and I’ll be there. His last couple have been good without being great, and apart from a naked fight and Keira Knightley’s impersonation of the Giger alien downhill skiing they had nothing to really make them stand out. This looks satisfyingly like a return to crazy, ideas filled, off-the-wall Videodrome-era Cronenberg, and that makes me very happy. Kristen Stewart hasn’t yet risen above her Twilight role, despite getting all shouty in Snow White and the Huntsman, so let’s hope Robert Pattinson gets more to do here.
Killer Joe
I was going to put Polisse in here, but couldn’t think of a single thing to say about the trailer. Sure, it looks good and all, but… So at the last minute I swapped it out for this one instead, the latest from William Friedkin, with a great big NC-17 warning on the front of the trailer. That kind of insane last-minute decision making is just the way I roll.
The Fairy
You wait ages for a film about Le Havre, then two come along at once. In case you missed it, the other one was called Le Havre. Bit of a giveaway in the title, there. This one also notable for the horrified reactions in the YouTube comments sections of those who’d seen it, and obviously aren’t in the target demographic.
The Half Dozen: 6 Most Interesting Looking Trailers For April 2012
Before I start, a word of apology to any regular readers (who I think are coming close to numbering in double figures now; I feel like I should send you all a Christmas card at the very least). Sadly I don’t have the luxury of being a full time blogger – although I do keep buying those lottery tickets, just in case – so at times when work, other obligations, other interests or all of the above call on my time, it’s the blog that has to suffer. We’ll overlook for now the fact that I saw four films last Sunday afternoon and evening and haven’t written any of the reviews yet, I’ll just say I’m sorry I’ve not been around for the last couple of weeks and I hope to make up for it in spades in April. So hopefully the blog won’t end up looking like this:
Anyway, to April, the season of anticipation which traditionally mixes the early blockbuster fodder of the summer with a mix of reasonable quality art house material. That said, it’s been three years since I’ve seen a genuine classic 10/10 film in April – that being 2009’s Let The Right One In – so I go into the month without the highest of expectations. It’s looking to be a pretty decent April this year, given the quality of what’s not made the list, including:
- Sean Penn going all Robert Smith before going on an epic journey across America in This Must Be The Place, which has an unremarkable trailer for such a remarkable transformation
- Oscar nominated for Best Animated Feature French film A Cat In Paris, which has trailers available in both English dubbed and subtitled version and so consequently split the vote
- Convention-busting horror movie The Cabin In The Woods, about which you should know as little as possible before going in (apparently – the trailer does feel quite spoilery; I’ll be able to say either way in a few days but I’m taking no chances here)
- Iron Sky, the Nazis on the moon film which you may have heard about, for which it seems based on the reviews that the trailer is better than the film
- Marley, documentarian Kevin McDonald’s latest on the behind the scenes difficulties in bringing the Owen Wilson / Jennifer Aniston / labrador film to the big screen (not really, but that’s the first link I clicked on when looking for the trailer)
- The Cold Light Of Day, which looks to be reaching a new low in terms of action movie effort expended (a moment when a foreign character says – about Madrid, in English – “You’ll never survive in this country, you don’t know the language”) and has Bruce Willis and Sigourney Weaver dialling in performances
Well, maybe not the last one.
Le Havre
I grew up on the Kent coast, so asylum seekers probably ought to be an emotive issue for me. But now, living out on the Fens, surrounded by fields of vegetables being picked by hard working, honest Polish workers earning money for their agriculture studies, it couldn’t be further from my mind. Regardless of your views on people trying to get into this country, this comedy set in the Normandy town looks delightfully off the wall.
Headhunters
It’s always slightly unnerving when the “From the…” credit starts to become more abstracted from those at the coal face. “From the writer / director of…” seems fair enough, unless it’s the director of Axe Murderers In Hell XIV bringing you the new live action Bambi remake, but I start to get slightly nervy at the “From the producers of…” credit. Were, for example, the producers of The Girl With The Dragon Tattoo the same producers of The Girl Who Played With Fire? If so, you’re not filling me with confidence, guys…
Jeff, Who Lives At Home
Maybe it’s just the name, but I always imagined mumblecore would have more actual mumbling, even though I could see that conceit wearing quite thin before the end of the actual film. It seemed like mumblecore was going to break into the mainstream a couple of years ago, but so far the Duplass brothers’ Cyrus remains the most prominent example of the genre. Mark and Jay are back, with a cast even more impressive than that last effort, so maybe this year is going to be the year of the mumblers. (Jason Segel and mumbling though? Just doesn’t seem likely.)
The Avengers
It’s called The Avengers, and any attempts to convince me otherwise will end in failure. When I see this at the cinema, I will be asking for a ticket to The Avengers, and will withhold any attempts to be corrected on that subject. Anyone managing to confuse this with either the Patrick Macnee series or the Ralph Fiennes film deserves to be made to watch the Ralph Fiennes film again, just to teach them a lesson. So to sum up, The Avengers. On general release April 26th across the UK. No assembly required.
Being Elmo
It only feels like yesterday since BlogalongaMuppets finished, but one of the few flaws in the triumphant last film The Muppets was the failure to include any Sesame Street Muppets; Big Bird and Oscar’s appearances in the first two Muppet films were both highlights and it’s a shame that contractual obligations put an end to any of them popping up in the 21st century incarnation. So to compensate, this documentary on everyone’s favourite red fluffy Muppet seems the ideal tonic.
Strippers vs Werewolves
Not so much fulfilling the “interesting” brief as being fascinating in the same terrifying way as watching a road traffic accident unfold before your very eyes, this is the kind of trailer normally affixed to the kind of low budget horror films that I favoured as a student, mainly because at the time very few people were making high budget horror films. But don’t worry that it appears to have gathered most of its cast by grabbing them at the stage door of the National Soap Awards and bundling them into a waiting van, it’s got Robert Englund in. You know? Off of A Nightmare On Elm Street, and Wishmaster, and Urban Legend, and Jack Brooks: Monster Slayer, and Zombie Strippers, and oh right.
The Half Dozen: 6 Most Interesting Looking Trailers For March 2012
Well, Mr Oscar has put away his shiny bald head polish for another year, and we’re in the potential quality vacuum that is March. Coming after the vast majority of gongs have been given away and before we get into the avalanche of blockbusters and Hollywood hype that will start with The Avengers in late April, it’s a certain type of film that normally gets released in March. Behold the top 15 opening weekends at the US box office for March, courtesy of statistics trove Box Office Mojo:
Slightly depressing list, isn’t it? Yes, there are typically two types of film that make an appearance in March: big animations looking to get small bums on seats without the congestion of summer, and large scale films of moderate to low quality also looking to avoid other attention. Once upon a time, it was the month of the sleeper hit: Pretty Woman, Police Academy and Lethal Weapon all started out in March in the US, but now if you’re even a moderately sized film with good potential, you’ll be pitching in for a bigger month and more attention.
And, thanks to the often lengthy wait for animated films to cross the pond, the big new entry on that list, The Lorax, doesn’t reach UK audiences until the summer. So for scale this month we have John Carter (and I’m sorry, just because George Lucas ripped off Edgar Rice Burroughs, doesn’t mean you have to make your adaptation look creepily like Attack Of The Clones, crossed with new Conan The Barbarian) but there is one potential blockbuster and one UK animation lurking in this month’s list that could make March at least vaguely memorable this year.
Michael
Based on the look I got when seeing Shame at my local multiplex, where the ticket usher looked at me with such disgust it was as if I’d turned up in a full length brown mackintosh and started drooling and rubbing my thighs, I’m just glad that this look at the life of a paedophile and his young prisoner is playing to the art house crowd only, where they understand these things a little better and don’t judge. I am a huge fan of Michael Haneke, if you can be such a thing without contradiction given the deliberately off-putting nature of some of his works, so this piece in a similar vein from his former casting director was bound to interest me; so nice to see a trailer which isn’t just a montage of clips spoiling the plot as well.
Carancho
To show how difficult it is for foreign films to get much love, this thriller with the star of The Secret In Their Eyes, Ricardo Darin, is currently playing in approximately three cinemas in London, so the likes of you and I probably won’t see it. Secrets itself was unjustly marginalised to the art houses despite picking up the big foreign Oscar and being just the kind of material that would appeal to big crowds if it didn’t have words along the bottom, and it didn’t generate enough cachet for its star to get any other films into cinemas. Sigh.
In Darkness
On that basis, no prizes for guessing where you’ll be watching one of this year’s nominees for Best Foreign Language Film. If you’re lucky. Repeated sigh.
The Hunger Games
But remember what March is about? Looking to get product out there in a crowded field? Have an adaptation of a young adult novel that could be the next Potter or Twilight, but don’t fancy your chances in the middle of a summer meltdown? Why then certainly, do release your film in March! Currently tracking at a level which suggests it might even have an outside chance of dethroning Alice In Wonderland from the top of that list earlier, the combination of well-loved material and an exciting cast that includes the likes of Jennifer Lawrence, Stanley Tucci, Donald Sutherland and Elizabeth Banks has even got me planning a trip for this one. (Still never watching Twilight, though.)
The Pirates! In An Adventure With Scientists
I’d also mentioned animation, and frankly who needs American CGI when you can have Aardman, working in good old fashioned Plasticine (or whatever it is that they actually use these days). If you’re not a fan of Wallace and Gromit, then you must have taken leave of your senses, and with a track record in the medium that also includes Chicken Run, this can’t be anything except great. Probably. It’s a shame that the leprosy controversy cost the film a joke and a bit of credibility, though; I thought it was fairly armless. (Disclaimer: The Movie Evangelist knows that leprosy isn’t about limbs falling off and is genuinely sympathetic towards the plight of sufferers, but I just can’t resist a bad pun.)
Into The Abyss
It’s Werner Herzog, with a documentary on prisoners and the death penalty. After 2011 featured a fascinating documentary about the world’s oldest cave and a memorable guest appearance in The Simpsons, it looks like 2012 is warming up to be another intriguing year for Werner Herzog. He’s the kind of person that deserves to only have interesting things written about him; I feel that this paragraph hasn’t done him justice. Sorry, Werner Herzog. (I do like saying Werner Herzog, though. Werner Herzog.)
The Half Dozen Special: Cambridge Film Festival 2010
Regular readers of my blog (there must be at least a couple of you – surely?) will know that I’ve been running a feature at the start of each month called The Half Dozen, where I look at the upcoming releases for the month and pick out a selection of six trailers that have caught my eye. They may not necessarily be the best six, and I may not manage to see all of the movies they relate to, but it’s hopefully been a good guide for myself and anyone else as to what’s around in a given month. (Link at the top of this page if you’d like to see my previous picks.)
However, the Cambridge Film Festival is almost upon us, and having not been to a single movie at the festival in the entire time I’ve lived in this area (just over three years), I’m making up for it in spades this year. I’m having a particularly cinematic summer, and after a double bill at the BFI IMAX in July and a trip to the BFI / Empire Movie-Con in August, my September is taking things to another level.
Movie-Con III, Chapter V: Trailer Park
6:30 a.m. Five hours since I got into bed, and about four and a half since I relaxed enough to think about sleep. Remind me why I’m doing this again? Not Movie-Con, which on its first night has already gone a long way to justifying the price of entry. No, what I’m wondering to myself is why I didn’t park up in a Travelodge on the south bank somewhere, rather than engaging in the world’s most pointless commute. Part of it is that nice guy attitude I continue to try to promote, that there are various jobs to do at home and I’m not just skiving off to watch movies, I am also pulling my weight at home (even though I wasn’t asked to), but I think there’s also a part that adds a sense of adventure.
Even that gets dulled slightly when I drive in the correct route down the M11 and onto the A12, realising that there’s another underground station nearer the junction, which is in all likelihood nearer my destination. So at least I get a slightly shorter journey in the following morning. Thankfully, all aspects of the journey are smooth, apart from me noticing the 50 mph speed cameras on the turn off of the North Circular (brake!), and I arrive at the BFI a little after 9. My initial concerns that they have once again started without me are eased when I see the array of geeks (for apparently, that is the collective noun), numbering over a dozen, in their Forumite badges thronged around the side entrance.
The Half Dozen: 6 Most Interesting Looking Movies for July
Blimey, month two of my trailer countdown already. You may remember last month I picked out six movies that looked interesting, although not necessarily good, and I’m pleased to say in the interests of my blog that I’ve done, oh… embarrassingly badly – from that selection, I saw two 8/10 movies, a 5/10, there’s one I’m intending to see next week (The Brothers Bloom), and two (Tetro and The Time That Remains) that just didn’t hang around for long enough for me to catch. Apologies if it feels I’ve not really put the effort in on that one – I can only hope that the rest of this blog isn’t as half-arsed.
Guess it helps this month that I have tickets for two of these already? Not making the cut this month are The A Team and The Karate Kid, both of which look kind of interesting, but not enough to make the list, and The Concert, which doesn’t open near me until August, although it might be near you sooner. Click on title for trailer, y’see?
I’m interested in this, primarily for trying to work out if the world really needed another Predator movie, or if this is just an attempt to undo the bad karma of the two AvP movies. If so, it would help to explain why Ridley Scott is also making more Alien movies.
Not sure if she still does, but Brenda Blethyn used to live in my home town. Other than that, she’s been in a few interesting movies, and maybe the time is ready for a 7/7 movie after all the 9/11 ones.
If excitement was a pie, then this would be one of those world record size pies with 100 chefs that you sometimes see on Guinness world record shows. It would also be made of that fancy steak that comes from cows fed on beer and filled with the finest wines known to humanity. Christopher Nolan made 3 of my 20 favourite movies of the last decade, including my number one (The Prestige – didn’t see that coming, did you?) and if he made a movie out of the phone book, I would watch it because I trust him implicitly. Also, it looks awesome.
This is in the top 10 movies of all time on IMDb, it’s the sequel to the two finest computer-animated movies of the nineties and early noughties, has already taken flipping great wodges of cash where it’s opened and frankly, if you’re not excited by this, I don’t want to play with you any more. In three weeks, I will be seeing this and Inception on the same day, in IMAX, if I don’t literally explode with excitement first, covering all around me in fragments of ginger movie blogger.
Interesting looking cast, including Alan Arkin? Check. First review on IMDb uses the word dysfunctional in its first line? Check. Will this get an airing anywhere near me if Shrek and the Twiglet saga are still sucking up all the spare screens not showing the above two movies? Er…
I still have nightmares to this day about Species, and how toe-curlingly awful it was. That anyone in it still has a career is testament to people’s exceptionally poor memories and willingness to give people a second chance. This looks a bit like it, and some people have enjoyed it. So what they heck, I’ll probably give it a go.
Right, that’s your lot for this month. If anyone’s looking to take bets on how many of these I manage to see, I’d think four would be a strong contender.
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