The Review: If you’re looking for an actor who’s tried his hand at nearly every kind of movie to help make your move into the mainstream, then you probably shouldn’t look any further than John C. Reilly. From the Paul Thomas Anderson dramas of the Nineties, through a supporting turn in Chicago to Adam McKay comedies, Reilly’s choices are nothing if not eclectic and he has proven himself adept at turning his hand to both comedy and drama. So who better to lead your cast if you’re attempting to break into the mainstream after making your name in small, mumbling indie movies? John C. Reilly is almost the perfect everyman, but also manages to perfectly embody the foibles and neuroses that make him a believable loner.
This is the story of the two women in John’s life – Jamie (Catherine Keener), his put upon ex-wife, although the put-uponning is almost entirely from John, and Molly (Marisa Tomei), the woman he meets at a party and quickly forms a bond with, who seems oblivious to his eccentricities or actually charmed by them. Consequently, John is keen to hang on to Molly, although she seems secretive and distant – that becomes a little clearer when John invites himself round to her place and is confronted with Cyrus, Molly’s grown up son, whose oddities seem to make John’s pale into insignificance.
Cyrus himself is portrayed by Jonah Hill, who in contrast to Reilly seems to have made a career out of playing very subtle variations on Jonah Hill. Here, for possibly the first time, he gets to stretch himself a little, his wide-eyed stare and placid demeanour coming off initially as simply shy but revealing itself as more over the course of the movie. If you’ve seen the poster, then it’s not a leap to expect John and Cyrus to become adversaries for Molly’s affection, and that’s exactly what happens in this off-kilter romantic comedy, but it’s the performances of Reilly and Hill that make this worth watching.
Having said that, all of the cast are excellent, it’s just that the two male leads feel at the top of their game. There’s a lot of laughs here, and while the humour is driven by the awkward situations of the characters there’s still plenty of laughs to be had. There are a couple of issues though; first off, mumblecore stalwarts Mark and Jay Duplass both write and direct, and are better at the former than the latter, their insistence on the zoom employed every time a character has any kind of reaction being in keeping with similar realist material, but rather too overused here. The other is that, for a movie that feels like it’s attempting to be unconventional in its set-up, it’s all rather neat and tidy and actually desperately conventional as it moves into the final scenes. A fair amount to enjoy, but sadly Cyrus isn’t quite destined for greatness.
Why see it at the cinema: Plenty of good laughs for audience appreciation, although the direction is more intimate than epic in scope.
The Score: 7/10