Well, just a quick note to wish anyone staying up to watch the Oscars tonight good luck; I have a horrible feeling you’re going to need it, as I said last night. But let’s not forget that the Academy Awards are just that: a bunch of awards picked by people who make the films, or who at least used to, and consequently who should know better. But if the general public had their say, and by that I mean those committed enough to log their votes on The Internet Movie Database, then this is how the top nine films of the year would look:
Those sitting up tonight will be cheering Drive to the big prize. Forget Picture, Director (Nicolas Winding Refn), Actor (Ryan Gosling), Actress (Carey Mulligan) or Supporting Actor (Albert Brooks) – Drive could walk away with Best Achievement in Sound Editing (Lon Bender / Victor Ray Ennis). Surely some consolation?
Four nominations for this one: as well as Best Piccy, Viola Davis, Octavia Spenser and Jessica Chastain are all up for acting statues and it wouldn’t be a huge surprise if at least one, if not two, of them, picked up those statues before the night’s out.
Eleven nominations, but chances are that Scorcese has the best outside shot of a win, being the most likely person to upset Michael
Hava Havinac that French bloke. Sadly I’ve still not seen it, thanks to sold out showings in December.
Five nods for the American remake of the Swedish film that still felt the need to put on Swedish accents. Rooney Mara is the biggest name to get a shout, but both Fincher and the film itself missed out on the big prize. It’s not as good as the original – there, I’ve said it.
No Lord Of The Rings-style love-in for the end of Potter, which rattled off with eleven awards. Sadly Potter will have to be content with making Warner Brothers and J.K. Rowling filthy stinking rich.
Hitting UK screens in March, this Turkish effort was one of over five dozen films submitted on the one per country basis for Best Foreign Language Oscar. Sadly the committee didn’t even put it on their nine film longlist – I look forward to see what Oscar overlooked.
Nolte got a nod, but will likely lose out to Christopher Plummer in the career sympathy award. Sadly Tom Hardy, Joel Edgerton and the film, a totally unexpected crowd-pleaser with dramatic weight, didn’t charm the Academy.
Lots of awards, cute dog, French winner, black and white, blah, blah, blah. Next!
(Yes, it’s extremely good and the most deserving nominated film. But…)
If the American Academy could overcome its foreign bias (only eight foreign language films have ever been nominated for Best Picture, and the last of those was directed by Clint Eastwood), then A Separation should be celebrating success. Hopefully it can pick up some glory in the condescending foreign appeasement category.
There you have it – all that’s left is to wish everyone concerned the best of American luck. I’m off to bed, to sleep, perchance to dream of Drive or Shame winning Best Picture…